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Artists are defined by two central fundamentals: their songs and concerts. For years, concerts were used as promotional tools to sell records, bring awareness to the act and hopefully sell a few t-shirts. Little money was made and it was more or less a brief glimpse at their favorite artists in the flesh. When the Beatles played Shea Stadium in 1965, they played a mere 29-minutes. As the sixties progressed, the Grateful Dead appeared and within a few years, Led Zeppelin took concerts to new heights with festival grooviness and flashing arena-rock presence. For bands like the Dead and Zeppelin, the records weren't enough. The concert became an extension of the record and in many ways, a more vital experience. Tapes were shared, stories told and myths were born. In the entire rock era, no other artist has a greater and more extensive legend than Bruce Springsteen. From stories of intimate in-your-face clubs shows early in his career to the misquoted myth of the five-hour show, the adoration and fervent followings Springsteen has amassed over the decades is almost unparalleled and on full display in a new book chronicling the 1978 Darkness on the Edge of Town tour, The Light in...
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