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Writing Videos

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5 Ways To Avoid Writing A Boring Story by Author Jennifer Brody

Breaking Into Hollywood As A Script Reader by Daniel Calvisi

Mistakes Screenwriters Make When Pitching Their Ideas by Carole Kirschner

Breaking In: Tales From The Screenwriting Trenches - Lee Jessup [FULL INTERVIEW]

3 Things New Screenwriters Should Do With Their Finished Screenplay by Karl Iglesias

Formatting Mistakes Amateur Screenwriters Make by Blayne Weaver

Two Important Steps A Screenwriter Should Take After Finishing A Screenplay by Carole Kirschner

Highly Successful Screenwriters Have This In Common by Jen Grisanti

How An Unknown and Unsigned Writer Booked Their First Television Job by Lee Jessup

It’s Essential For Screenwriters To Market Their Screenplays

Screenwriting Structure - A FEW GOOD MEN - The Major Setback by Michael Hauge

A Theory About Writers Who Write Romantic Comedies by Pamela Jaye Smith

Drama Is Real Life With All The Boring Parts Cut Out by Karl Iglesias

How A Writer Got His First Paying Job In Television by Gary Goldstein

How Many Scripts Does It Take For A Writer To Break Into Hollywood? by Kathie Fong Yoneda

Not Every Screenwriter Has The Skill Sets To Succeed, But They Can Develop Them by Corey Mandell

The Key To A Long-Lasting Writing Career by Jen Grisanti

Screenwriting Structure - Analyzing The Lead Character's Inner Journey In In A FEW GOOD MEN

Which Story Does A Writer Tell First? by Lee Jessup

What Causes Writer’s Block? by Karl Iglesias

A Screenwriter Is Always Developing Their Characters by Constanza Romero

8 Tips To Finding A Literary Agent by Jennifer Brody

Is It A Good Idea For A Screenwriter To Write For The Market? by Lee Jessup

Screenwriting Structure - A FEW GOOD MEN - End Of Act 1 by Michael Hauge

Screenwriting Structure - A FEW GOOD MEN - The Set-Up by Michael Hauge

3 Great Screenwriting Lessons by Blayne Weaver

Advice To Beginning Screenwriters by WGA West President Howard A. Rodman

A Tool To Help Writer’s Generate Original Ideas by Karl Iglesias

How Much Success Does A Writer Need To Be Happy by Jen Grisanti

Is It A Writer’s Responsibility To Inspire The Audience? by Elaine Zicree and Marc Zicree

How Many Screenplays Should A Writer Write Each Year? by Lee Jessup

Structuring A Comedy Screenplay: The Comic Hero's Journey - Steve Kaplan [FULL INTERVIEW]

Most Important Question In Screenwriting by Karl Iglesias

What Makes A Television Show Fail In Season 2? by Jen Grisanti

USC Scripter Awards - HIDDEN FIGURES, FENCES, LION and more

A Working Screenwriter Never Stops Learning The Craft by Erik Oleson

What Screenwriters Should Know About Writing Stage Plays by Gary Goldstein

How A Used Bookstore Led To THE PEOPLE v. O.J. SIMPSON by Larry Karaszewski

Can A Movie Have Two Heroes? by Michael Hauge

Biggest Mistake Screenwriters Make With Dialogue by Karl Iglesias

The Secret To Being A Working Writer In Hollywood by Lee Jessup

11 Easy Steps To Screenwriting Failure

A Classic Alfred Hitchcock Plot Structure Device For Screenwriters by Michael Hauge

Writing For Emotional Impact - Full Interview with Karl Iglesias

A Mistake Comedy Screenwriters Make With Their Main Character by Steve Kaplan

Figure Out A Story Before Or As You Write? by Barrington and Janice

Screenwriter Studio Notes: Do's and Don'ts by Lee Jessup

A Guide To Writing Evil Characters

Screenwriting: Stage vs Turning Point by Michael Hauge

Story Line: Finding Gold In Your Life Story - Jen Grisanti

Not Every Screenplay Fits Into A Cookie Cutter Formula by Steve Kaplan

Why First Time Screenwriters Need A High Concept Script by Karl Iglesias

29 Screenwriting Mistakes

Screenwriting Plot Structure Masterclass - Michael Hauge [FULL INTERVIEW]

It Makes No Sense For Hollywood To Steal Scripts by Lee Jessup

When A Screenwriter Is Given A Second Pitch Meeting by Carole Kirschner

The WTF Moment In A Comedy Screenplay by Steve Kaplan

Helping A Screenwriter Understand The Inner & Outer Journey Of A Character by Michael Hauge

Without This Story Tool A Screenplay Doesn’t Work by Jen Grisanti

Character Archetypes In YA Fiction by Jennifer Brody

How Many Times Should A Screenwriter Practice A Pitch by Carole Kirschner

3 Mistakes Screenwriters Make In Act 1 That Ruin A Screenplay by Michael Hauge

Road To Failure For A Screenwriter by Lee Jessup

Biggest Mistakes Screenwriters Make When Receiving Script Notes by Jen Grisanti

Is There One Structure For Every Screenplay? Karl Iglesias

James Bond and Indiana Jones Don't Have Character Arcs by Michael Hauge

Best Way For A Screenwriter To Build Relationships In Hollywood by Lee Jessup

What Hooks A Television Audience? by Jen Grisanti

Writing The Screenplay LION (A LONG WAY HOME Adaptation)

5 Categories Of Hollywood Movies by Michael Hauge

Screenwriting Trends In The Last 5 Years by Less Jessup

Big Mistakes Beginning Screenwriters Make by Karl Iglesias

Should Authors Write In 1st or 3rd Person? by Author Jennifer Brody

Do Screenwriters Need To Live In Los Angeles? by Lee Jessup

Knowing How To Tell And Sell Your Story by Jen Grisanti

Introduction To The Comic Hero’s Journey by Steve Kaplan

Foundation Of Story by Michael Hauge

Most Important Thing A Young Adult Author Needs To Know by Jennifer Brody

First Thing A Screenwriter Needs To Know About Writing Scenes by Karl Iglesias

When Does A Screenwriter Reveal A Character’s Core Wound In A Screenplay? by Michael Hauge

What A Screenwriter Has That A Director Doesn't by Ben Younger

Do True Artists Work Alone? by Karl Iglesias

What Does A Screenwriter Do Once They’ve Finished Their Script? by Jen Grisanti

Act 3 In Screenplay Structure Major Setback, Climax, and Aftermath by Michael Hauge

Writing About Religion and Sex by Tamika Lamison

Point Of No Return In A Screenplay - Complications & Higher Stakes by Michael Hauge

Main Advantage Of A Personal Story When Pitching A Script by Jen Grisanti

What Is Star Wars Really About? by Karl Iglesias

First Turning Point In Screenplay Structure: Opportunity and New Situation by Michael Hauge

How NOT Selling The First Book Can Help An Author’s Career by Jennifer Brody

Writing and Selling A Screenplay (and a lot more!) - Tamika Lamison Full Interview

What Screenwriters Should Know About A Character's Inner Journey by Michael Hauge

How Personal Stories Can Make Or Break A Screenwriter’s Pitch by Jen Grisanti

What Is It That Makes Audiences Connect With Evil Characters? by Karl Iglesias

Primary Goal Of Storytelling Is To Elicit Emotion - Overview Of 6 Stage Plot Structure

What Does A Screenwriter Do With Old Scripts? by Tamika Lamison

Preparing For A Pitch Meeting - What Screenwriters Should Probably Know by Jen Grisanti

Emotional Core Of Pixar Movies by Karl Iglesias

There Are Consistently 6 Stages Of Plot Structure To Any Successful Movie by Michael Hauge

How To Tell A Great Story by Karl Iglesias