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Music Videos Opinion Article
What Makes A Great Music Video?
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But what makes a great music video? 1. It must be unique. This is a given. We have all seen enough angst-ridden m.v.s where the crying/angry/hurt girl/guy rides the bus/train/car, etc. Same goes for rapper videos with scantily-clad female dancers. 2. Tells a story. It can be a bizarre story that doesn't make much sense until the end, but one must feel satisfied at the conclusion [see Eurostar by YeYe or Everlong by Foo Fighters.] 3. The artist or director must not feel confined to matching the visuals of the video perfectly with the lyrics. While good in some cases ( Aint' No Other Man ) it tends to be a sign of a novice (bad) video director. [A good example of non-matching visual-to-lyrics? Watch Weapon of Choice.] 4. Makes a lasting impression and/or is memorable. This applies more to the older music videos, the forerunners to great music videos, that might not have the best production values but people still remember them and are often sampled by other artists & mediums. An obvious example is Aha's original Take on Me and Family Guy's version. 5. One must realize that a great music video does not mean a great song with a mediocre video, but a fabulous mv can have a mediocre song. There are some fabulous and iconic songs with okay music videos (some being uploaded to this spot) but this soapbox article is a tribute to those videos that stand out. Do you think of the music video long after you've seen it, even if you've only seen it once? Did it captivate you when you first saw it? These should be the questions you ask yourself when determining whether it is great! Please let me know what you think adds to the formula of a knock-out music video!
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Now, that's not to say that I don't agree with you - generally, I do prefer videos with the traits you suggest - but I just don't think there's a way to determine objectively what it is that makes anything great, since "great" itself is subjective. Many people clearly like videos with scantily-clad women grinding at the camera, for instance.
But, that said, here's my take on your points:
1) I think unique is good, but a little absolute. You could have something that is unlike anything else, but still is complete crap. There's also the case where a video is the first of its kind, spawning many imitators. Looking at it ten years later, it may not stand out from the pack, but does that mean that great is dependent on the time that you view it? Again, this means it's subjective. Similarly, I could see that a video could offer an interesting twist on an established formula or simply be the superlative example of a typical type of video. I've said before that I myself don't like videos that concentrate on the artists singing and playing instruments, but if the artist is doing something interesting while doing so, that can change my whole attitude (see "Smooth Criminal" by Alien Ant Farm.
2) Again, I like stories - I have gone so far as to say that I am addicted to stories in the past - but I don't think a story is necessary for a great music video. You can have great music videos that have nonlinear or even nonsensical stuff happening, such as the Weapon of Choice video by Fatboy Slim you mention in the article, or the "Busy Child" video by the Crystal Method, which hits you with random images interspersed with scenes from a dance hall. Very memorable, but no real story.
I will say it is far more likely that I will like a video that tells a story than one that doesn't!
3) Sure; OK. But I'd say that a novice director is more likely to do a video that doesn't match the lyrics (instead having the dancing girls, the band singing to the camera, and/or footage from the related feature film on which soundtrack the song appears). Yawn...
4) I agree, though I think the caveat about older videos is unnecessary. Any video has to be memorable to be great.
5) Much as I try to link to videos I find interesting - and I can tell that you do the same - I have to point out that this isn't the great music videos spot...it's just the music videos spot. So any music video would be appropriate here. In the spirit of the spot description, I haven't uploaded any fan-made videos here, though many of those are excellent, but I could see that others might have an argument for doing so.
So, if the greatness of a video is subjective (and if you take this as an inside joke between us, you're welcome), then to my mind the main thing that makes a great video is that the fanpop users rate it as great (or awesome! of course).
What I meant about 'memorable' older music videos was just that if they were made today, viewers would either not be amazed because it HAS been reproduced in so many videos or think it was poorly made because of bad lighting, poor special effects, etc. Just compare Chris Issak's "Wicked Games" to Paris Hilton's "Stars are Blind". You've got the same black & white effect (or partially in Hilton's video) with the singer and a sexy other cavorting on the beach. The fact that Chris Issak was one of the first to do this sequence however makes his video particularly famous. But I wonder if a new teen had first seen Paris's version and THEN seen Issak's video for the first time, would they necessarily think it was "great"? So in my opinion, what has helped his video be memorable is that it was first to do it (and is, in this scenario, the older music video).
I did hesitate on including the 'story' aspect in my list, but then I thought that even those really crazy music videos that are nonsensical have storylines. I could now argue that Weapon of Choice does have a story - that bored Christopher Walken is waiting in a hotel, hears music (in his head or not) and dances his emotions (real or not). Not a compex story, but still one.
Thanks Harold for reflecting on and responding to my article . Keep it coming, if you want!
watch the video all the way through without the sound.
If the video still interests you, then it's doing a pretty good job.
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