The new show from television genius Aaron Sorkin shows what goes on when the cameras are off
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Opinion by blueeyeboy77 posted 2 years ago
4.6
 by 3 fans
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After the first few episodes something became apparent. The concept of the show was fine... better than fine. But the potential would have been extraordinary if the show was about the executives running a network - not two guys running a sketch comedy show.

Some of the best story lines come from the dynamics of running a network (censorship, politics of advertising and marketing, new shows and old shows, etc...).

I would love to see this come back (or another writer develop the concept) of the "behind-the-scenes" at a national network.

Unfortunately it looks like Aaron Sorkin has moved on and we'll never get this potenitally great show!
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Opinion by monkeypup posted 3 years ago
4.0
 by 15 fans
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Are you there God? It's me, Harriet
I had high hopes for Studio 60. Great writing credentials in Aaron Sorkin, great actors, great premise.

So what went wrong?

Though the first episode was pretty good, each successive episode has been increasingly worse.

It began with the focus on the character of Harriett, who is ostensibly the "funniest woman on television," yet is played by an actress who is so out of place on a sketch comedy show that it boggles the mind. It's apparent that she can do a Juliette Lewis and Holly Hunter impression, but so what? Can you see a skit involving either of them on SNL?

The unrequited love between her and Matt Perry's character is nothing but annoying. This is nothing new for Sorkin, who has visited this theme in Sports Night and West Wing, but it's getting old.

But that's not the only thing wrong with the show. Not by a long shot. The characters speak in ways that normal people do not. This is also a trademark of Sorkin's, but on shows like West Wing, it fits. Not so on Studio 60.
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