Jones started out doing more cutesy material, stuff that was closer in content to Disney rather than what we traditionally think of the Looney Tunes. He broke this habit with the Dover Boys.
From there, Chuck went on to make his most famous shorts: “What’s Opera Doc?”, “One Froggy Evening”, “Duck Amuck”, and of course created Pepe LePew, Marvin the Martian, and Wile E. Coyote and Road Runner.
Later, in the 60’s, Jones left WB (after winning a few Oscars) and pursued other creative endeavors. He teamed up with Theodore “Dr. Seuss” Geisel to make the classic animated “How the Grinch Stole Christmas” tv special, which to this day is still shown on tv during the holidays. He also won another Oscar for his short film subject “The Dot and the Line: A Romance In Lower Mathematics.” He would close out the 60’s by producing the animated/live action hybrid film “The Phantom Tollbooth”.
After that Jones worked on many different things throughout the 70’s, 80’s and 90’s, including 520 episode of The Electric Company. He became a lecturer, and even made cameo appearances in movies like “Gremlins” and “Innerspace”, which were directed by his friend Joe Dante, and contributed animated sequences to “Gremlins 2: The New Batch” and “Mrs. Doubtfire”.
Jones is one of the few artists who lived to see his work properly appreciated. He received numerous awards even after he stopped making cartoons regularly. A voracious reader of literature (particularly Mark Twain), he was a thinking man’s animator, someone who approached his cartoons with critical thought and deep philosophy, which only highlighted the humor.
He died relatively recently on February 22nd, 2002, at the age of 89. Robin Williams once referred to him as “the Orson Welles of cartoons”. Today, we celebrate his centennial.
Portrait of the artist as a young man.
VHS Cover
