Grey's Anatomy has a new doctor coming to town.
I can exclusively reveal that former One Tree Hill star Hilarie Burton has signed on for a recurring guest role as a craniofacial specialist who visits the hospital to work on a case.
She'll make her debut in early May.
Sarah Chalke's Grey's role inspired by son's battale with deadly disease
Burton, who first became known for Peyton Sawyer on One Tree Hill after a stint as a host on MTV's Total Request Live, has had a recurring role as Matt Bomer's love interest on USA's White Collar.
Funny enough, Burton's real-life love is Jeffrey Dean Morgan, who played heart transplant patient Denny Duquette on Grey's. After his character died, Morgan continued to play him when he appeared in the dreams of Katherine Heigl's Izzie.

It has been almost a year since One Tree Hill ended (in the US). Thank you Mark Schwann for giving us 9 years, 9 seasons, 187 episodes of excellent acting & amazing storylines.
I can't even put into words how much I miss this show.I wish it could have went on forever.
People say all good things come to an end One Tree Hill was the best thing so it will never end for me at least in my heart :)
I own all the seasons and I watch them all the time especially when I need my Nathan Scott fix.
Thank you James Lafferty for stealing my heart & thank you Naley for showing everyone what always & forever truly meant ♥
One Tree Hill is the best show of all time & always will be :) I re- watch episodes I've probably seen at least 50 times they never get old but I always get kinda sad at the same time. I fall in love with new shows all the time but NOTHING is ever gonna have my heart like One Tree Hill does♥

From the 6th to 11th centuries, there appeared, on Orissa’s sacred landscape, a large number of temples. Which exercised a powerful influence on the cultural life in this eastern Indian region. Earlier approaches to the study of temples tend to perpetuate an over-determined reading of art. They either objectify the temple aesthetically as a ‘non-living, static monument’ with architectural complexities; or institutionalize it as a symbol of royal legitimacy. As a result, temple architecture in Orissa is almost invariably discussed within a unilinear evolutionary context, ignoring its material and cultural basis that sustains it, as an institution.

A marked departure from the existing studies, this book tries to explore the extended, and possibly continuous, relationship between temple and the community. “The monument,” says the author, “has also a life after its making and can interact with its users over a time in significant ways beyond the intention of its artists, reflecting the dynamism beneath its architectural configuration.”