BELLA'S BROWN HOODIE
During the pivotal parking lot scene, Bella wears a hoodie by Nordstrom store brand Rubbish and mittens by Ruth Cross — a conscious choice by Chuck to not use designer brands: ''My look is always character-based and not fashion-based. It's really easy to get over-stylish, and I felt that Bella in particular had to be anchored in the real world.''
BELLA'S CREAM THERMAL
Filming in Washington during the winter months meant dealing with icy temperatures, so nestled under Bella's brown hoodie were lots of layers, including this long-sleeved cream top. The thermal, by Curious Gypsy, had thumbholes on the sleeve, making it ''a bit unusual and different,''
BELLA'S BLUE JACKET
The cargo jacket by Jack BB Dakota wasn't actually supposed to appear in Twilight. ''I was planning to use the brown hoodie for that sequence, but the director of photography hated the fact that her hair and the jacket were both brown and felt she got lost in it,'' says Chuck, who then made a last-minute run to outlet store Nordstrom Rack to hunt for a replacement. ''I literally brought that blue one on set just before they rolled cameras. Then Catherine said, 'Wendy saved the day!' That made me a hero.'' Good news for fans: Because of its massive popularity, the newly dubbed ''Twilight'' jacket will be reissued in July for $84. Check back with BB Dakota for store listings.
BELLA'S ACCESSORIES
As Bella's feelings for Edward change, careful viewers may notice a shift in her wardrobe, as well: ''Her sense of style becomes less tomboy and more feminine,'' Chuck says. ''So rather than go wildly feminine because she was always wearing pants, that really left me to find some pieces that had a little feminine touch.'' (This particular embroidered top is by Lucky Brand.) Also adding to the girly quotient were Bella's accessories: a moonstone ring (which, as Chuck recalls, was made by the props department), a headband (another custom creation), and a delicate turquoise bracelet, which was ''something that we were to think her mom gave her,'' adds the costumer who found the original cuff in L.A. and had six copies made to fit Stewart's tiny wrist.
During the pivotal parking lot scene, Bella wears a hoodie by Nordstrom store brand Rubbish and mittens by Ruth Cross — a conscious choice by Chuck to not use designer brands: ''My look is always character-based and not fashion-based. It's really easy to get over-stylish, and I felt that Bella in particular had to be anchored in the real world.''
BELLA'S CREAM THERMAL
Filming in Washington during the winter months meant dealing with icy temperatures, so nestled under Bella's brown hoodie were lots of layers, including this long-sleeved cream top. The thermal, by Curious Gypsy, had thumbholes on the sleeve, making it ''a bit unusual and different,''
BELLA'S BLUE JACKET
The cargo jacket by Jack BB Dakota wasn't actually supposed to appear in Twilight. ''I was planning to use the brown hoodie for that sequence, but the director of photography hated the fact that her hair and the jacket were both brown and felt she got lost in it,'' says Chuck, who then made a last-minute run to outlet store Nordstrom Rack to hunt for a replacement. ''I literally brought that blue one on set just before they rolled cameras. Then Catherine said, 'Wendy saved the day!' That made me a hero.'' Good news for fans: Because of its massive popularity, the newly dubbed ''Twilight'' jacket will be reissued in July for $84. Check back with BB Dakota for store listings.
BELLA'S ACCESSORIES
As Bella's feelings for Edward change, careful viewers may notice a shift in her wardrobe, as well: ''Her sense of style becomes less tomboy and more feminine,'' Chuck says. ''So rather than go wildly feminine because she was always wearing pants, that really left me to find some pieces that had a little feminine touch.'' (This particular embroidered top is by Lucky Brand.) Also adding to the girly quotient were Bella's accessories: a moonstone ring (which, as Chuck recalls, was made by the props department), a headband (another custom creation), and a delicate turquoise bracelet, which was ''something that we were to think her mom gave her,'' adds the costumer who found the original cuff in L.A. and had six copies made to fit Stewart's tiny wrist.
![Rob <3 [Remember Me]](http://images2.fanpop.com/images/photos/6900000/Rob-3-Remember-Me-twilight-series-6933351-294-500.jpg)
Dreamed last night about a time and place
Where from our troubles we had escaped
I held your hand and I felt complete
As you turned and said to me
From now on
From now on we'll be
You and me
We will be
From now on
From now on we'll be
You and me
You and me, we will be
Years went by and nothing changed
The love we shared just stayed the same
As hair grew grey on top of our heads
Every night I quietly said
From now on
From now on we'll be
You and me
We will be
From now on
From now on we'll be
You and me
You and me, we will be
Only a dream
Only a dream
Only a dream
From now on
Only a dream
From now on
Only a dream
From now on
Only a dream
From now on
You and me, we will be
Where from our troubles we had escaped
I held your hand and I felt complete
As you turned and said to me
From now on
From now on we'll be
You and me
We will be
From now on
From now on we'll be
You and me
You and me, we will be
Years went by and nothing changed
The love we shared just stayed the same
As hair grew grey on top of our heads
Every night I quietly said
From now on
From now on we'll be
You and me
We will be
From now on
From now on we'll be
You and me
You and me, we will be
Only a dream
Only a dream
Only a dream
From now on
Only a dream
From now on
Only a dream
From now on
Only a dream
From now on
You and me, we will be
Your lips are nettles
Your tongue is wine
Your laughter’s liquid
But your body’s pine
You love all sailors
But hate the beach
You say come touch me
But you’re always out of reach
In the dark you tell me of a flower
That only blooms in the violet hour
Your arms are lovely
Yellow and rose
Your back’s a meadow
Covered in snow
Your thighs are thistles
And hot-house grapes
You breathe your sweet breath
And have me wait
In the dark you tell me of a flower
That only blooms in the violet hour
I turn the lights out
I clean the sheets
You change the station
Turned up the heat
And now you’re sitting
Upon your chair
You’ve got me tangled up
Inside your beautiful black hair
In the dark you tell me of a flower
That only blooms in the violet hour
In the dark you tell me of a flower
That only blooms in the violet hour
Your tongue is wine
Your laughter’s liquid
But your body’s pine
You love all sailors
But hate the beach
You say come touch me
But you’re always out of reach
In the dark you tell me of a flower
That only blooms in the violet hour
Your arms are lovely
Yellow and rose
Your back’s a meadow
Covered in snow
Your thighs are thistles
And hot-house grapes
You breathe your sweet breath
And have me wait
In the dark you tell me of a flower
That only blooms in the violet hour
I turn the lights out
I clean the sheets
You change the station
Turned up the heat
And now you’re sitting
Upon your chair
You’ve got me tangled up
Inside your beautiful black hair
In the dark you tell me of a flower
That only blooms in the violet hour
In the dark you tell me of a flower
That only blooms in the violet hour
Should never think
What’s in your heart
What’s in our home
And so I won’t
And you’ll learn to hate me
Still call me baby
Oh, love
So call me by my name
And save your soul
Save your soul
Before you’re too far gone
Before nothing can be done
Try to decide when
She’ll lie in the end
Ain’t got no fight in me
In this whole damn world
Tell you to hold off
Choose to hold on
It’s one thing that I’ve known
Once I put my coat on
Coming out in this all wrong, ooh
She’s standing outside holding me
Saying oh please
I’m in love
I’m in love
Girl save your soul, ooh
Save your soul
Before you’re too far gone
And before nothing can be done
‘Cause without me
You got it all
So hold on
Without me you got it all
Hold on
Without me you got it all
Without me you got it all
So hold on
Without me you got it all
So hold on
Without me you got it all
So hold on
What’s in your heart
What’s in our home
And so I won’t
And you’ll learn to hate me
Still call me baby
Oh, love
So call me by my name
And save your soul
Save your soul
Before you’re too far gone
Before nothing can be done
Try to decide when
She’ll lie in the end
Ain’t got no fight in me
In this whole damn world
Tell you to hold off
Choose to hold on
It’s one thing that I’ve known
Once I put my coat on
Coming out in this all wrong, ooh
She’s standing outside holding me
Saying oh please
I’m in love
I’m in love
Girl save your soul, ooh
Save your soul
Before you’re too far gone
And before nothing can be done
‘Cause without me
You got it all
So hold on
Without me you got it all
Hold on
Without me you got it all
Without me you got it all
So hold on
Without me you got it all
So hold on
Without me you got it all
So hold on
He stated, “Has it really been five months and a day since my last dispatch? In my defense, they’ve been five months spent immersed in the world of TWILIGHT,something I’m sure you can all appreciate. We’re in the thick of pre-production now, juggling everything from casting to storyboarding to location scouting, getting it all ready to go, but I do want to take a moment to announce to you exclusively a few of the amazing production team members who are hard at work alongside me, bringing these movies to life. I hope you’ll be as excited about them as I am:
Nessie.
