It was confirmed today, that Carter Burwell will NOT be composing the score for New Moon. Alexander Desplat is composing in Carter's place. This raises the question, will Chris Weitz and Alexander Desplat use the lullaby Carter composed?
In my personal opinion, I really think it's better if they keep the same lullaby. Alot of fans may disagree. And I agree to an extent, it did not sound like a lullaby. But, during the lullaby scene when they were in the trees, there was a piano melody solo. If they kept that melody, but expanded it or made it more complex, it would sound more like a lullaby. And they could keep the continuity.
What do you guys think?
In my personal opinion, I really think it's better if they keep the same lullaby. Alot of fans may disagree. And I agree to an extent, it did not sound like a lullaby. But, during the lullaby scene when they were in the trees, there was a piano melody solo. If they kept that melody, but expanded it or made it more complex, it would sound more like a lullaby. And they could keep the continuity.
What do you guys think?
when Bella first meets Edward he is trying his best to stay away from her and Jacob is trying to get closer to her when Edward and Bella goes out and Edward leaves her Jacob finds her in the forest and takes her home to charlie then in eclipse Jacob tells Bella he loves her and kisses her witched cause Bella to punch him and she breaks her hand then calls Edward to take her to Carlise and in breaking dawn Jacob came to viste Bella as a gift but it goes bad and Sam Seth Embery toke Jacob home an then when Bella has Reneesme Jacob tries to kill Reneesme but instead imprinted on her and in Breaking Dawn part 2 Bella's a vampire and finds out Jacob imprinted witch mad her mad and let me just say that it was just funny
I sang this song in choir my sophomore year maybe it will help you keep strong and have faith in Robsten
The Rose,
Some say love it is a river that drowns the tender reed,
Some says love it is a razor that leaves your soul to bleed
Some say love it hunger is an endless aching need
It's the one who won't be taken who can not seem to give
And the soul afraid of dying never that learns to live;
When the night has been to lonely and the road seems to long and you think that is only for the lucky the strong;
Just remember far the winter snow, lies the seed that with the suns love becomes the rose the rose
The Rose,
Some say love it is a river that drowns the tender reed,
Some says love it is a razor that leaves your soul to bleed
Some say love it hunger is an endless aching need
It's the one who won't be taken who can not seem to give
And the soul afraid of dying never that learns to live;
When the night has been to lonely and the road seems to long and you think that is only for the lucky the strong;
Just remember far the winter snow, lies the seed that with the suns love becomes the rose the rose
Kristen Stewart, who shot to fame as Bella Swan in "The Twilight" films and is the title character in "Snow White and the Huntsman", jumped to the top of Forbes.com's annual list of highest-paid actresses.
The 22-year-old earned an estimated $34.5 million (£22 million) from May 2011 to May 2012 and pushed Angelina Jolie into fourth place.
Cameron Diaz, who had a surprise hit with “Bad Teacher”, came in second with $34 million.
“She (Stewart) is an up-and-coming star. She is earning a lot of money from one of the most successful franchises of all time. This is who you would expect to see right now,” said Dorothy Pomerantz, Forbes Los Angeles bureau chief.
“This year you are seeing somebody young and at the brink of potentially great stardom sitting on the top of the list.”
The 22-year-old earned an estimated $34.5 million (£22 million) from May 2011 to May 2012 and pushed Angelina Jolie into fourth place.
Cameron Diaz, who had a surprise hit with “Bad Teacher”, came in second with $34 million.
“She (Stewart) is an up-and-coming star. She is earning a lot of money from one of the most successful franchises of all time. This is who you would expect to see right now,” said Dorothy Pomerantz, Forbes Los Angeles bureau chief.
“This year you are seeing somebody young and at the brink of potentially great stardom sitting on the top of the list.”
Touch me I'm cold, unable to control
Touch me I'm golden and wild as the wind blows
And tumbling, tumbling, don't go fascination
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
Let me come closer, I'm not your shadow
With our eyes shielded from the oncoming count
It's not hard for us to say what we should not
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
Touch me I'm cold, unable to control
Touch me I'm golden and wild as the wind blows
And tumbling, tumbling, don't go fascination
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
Let's get lost
Let's get lost
Let's get lost
Let's get lost
Touch me I'm golden and wild as the wind blows
And tumbling, tumbling, don't go fascination
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
Let me come closer, I'm not your shadow
With our eyes shielded from the oncoming count
It's not hard for us to say what we should not
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
Touch me I'm cold, unable to control
Touch me I'm golden and wild as the wind blows
And tumbling, tumbling, don't go fascination
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
If just for tonight darling, let's get lost
Let's get lost
Let's get lost
Let's get lost
Let's get lost