Plot
When Bella (Stewart) relocates to the drizzly town of Forks, she meets the Cullens, a family of vampires who can control their desire to feed on humans. She falls in love with Edward Cullen (Pattinson), who sees in her the soulmate he’s been searching for. However, so appealing is her scent, he must battle his desire to drink her blood, the heroine akin to the vampire’s own personal heroin.
Review
About three things the Twilight producers were absolutely positive. First, Twilight was a vampire tale. Second, there was a part of it that thirsted for teenage blood. And third, adolescent girls were unconditionally and irrevocably in love with it. Indeed, American booksellers have hailed the author of the saga, which runs through four novels, as the new J. K. Rowling — Stephenie Meyer’s first instalment selling more than five million copies in the US alone, and thereby helping to fill the void left by the departed Boy Who Lived. The fact that the film version arrives Stateside in what has become the pre-Christmas ‘Potter slot’ will only boost the comparisons.
In contrast to the wizardry franchise, however, the director here manages to improve on the film’s papery progenitor. While a succession of helmers have struggled to condense Rowling’s ever-expanding tomes into a digestible screen serving, Catherine Hardwicke hits top gear from the outset, rattling through the early exposition and never once allowing the painful teen brooding that floods Meyer’s book to overflow into insipidness. Meyer is a devout Mormon, her tale a metaphor for carnal abstinence, allowing young girls to splash around in a pool of obsessive love without having to swim in the turbulent waters of scary teenage sex.
The author, who had final cut, thought Hardwicke’s first cut a little too steamy, hence the interaction between Bella and Edward becomes even more intimate, Hardwicke employing close-ups and avoiding the exposed flesh captured by the wider lenses. The director, of course, understands the teen audience — consider Thirteen or Lords Of Dogtown — and she conjures one of the most beautiful films of the year. Former Potterer Robert Pattinson (Cedric in Goblet Of Fire and Order Of The Phoenix) is staggeringly handsome, as are the rest of his vampire brethren. The backdrop, meanwhile, the lush forests of the Pacific Northwest, is truly breathtaking, Hardwicke sending her stars hurtling up towering trees and sinking into deep moss.
The lead performance too is strong, Panic Room and Into The Wild star Kristen Stewart consistently excellent. She is the vehicle through which audiences are carried on their journey, and her keen intelligence prompts a mature performance. Bella is both vulnerable and strong, a three-time damsel in distress, requiring Edward’s white-faced knight to save her, and yet courageous enough to surrender to danger and send an immortal bloodsucker into a frenzy of desire. Said bloodsucker Pattinson struggles at times — it’s a demanding first lead role, requiring him to project a perennial restrained desire. He settles down eventually, but not before he’s treated us to a series of hard-faced pouts.
Despite the presence of vampires, Twilight is a romance, not a horror, and anyone hoping to sink their teeth into a juicy gore-fest will be disappointed. There is action, of course, ignited by the arrival of a trio of wandering neck-biters (who, needless to say, are impossibly good-looking) that feed on the locals and lust after Bella’s blood, leading to a showdown in a be-mirrored ballet studio. Hardwicke sensibly introduces these rogues early. And yet, while she does have action credentials (working on Three Kings before shooting Dogtown), the sequences are occasionally predictable, the wire-work sometimes obvious.
She also struggles with the depiction of vampires in direct sunlight. Meyer’s saga was prompted by a dream, in which she saw Bella and Edward lying in the forest, sunlight twinkling on the vampire’s exposed flesh. In truth, Hardwicke would have liked to exorcise the scene, but it’s too important to the author. She turned to ILM, although despite their best efforts, Edward’s spangled skin looks a little odd.
Verdict
A sometimes girlie swirl of obsession that will delight fans, this faithful adaptation is after teenage blood, and will most likely hit a box office artery.
When Bella (Stewart) relocates to the drizzly town of Forks, she meets the Cullens, a family of vampires who can control their desire to feed on humans. She falls in love with Edward Cullen (Pattinson), who sees in her the soulmate he’s been searching for. However, so appealing is her scent, he must battle his desire to drink her blood, the heroine akin to the vampire’s own personal heroin.
Review
About three things the Twilight producers were absolutely positive. First, Twilight was a vampire tale. Second, there was a part of it that thirsted for teenage blood. And third, adolescent girls were unconditionally and irrevocably in love with it. Indeed, American booksellers have hailed the author of the saga, which runs through four novels, as the new J. K. Rowling — Stephenie Meyer’s first instalment selling more than five million copies in the US alone, and thereby helping to fill the void left by the departed Boy Who Lived. The fact that the film version arrives Stateside in what has become the pre-Christmas ‘Potter slot’ will only boost the comparisons.
In contrast to the wizardry franchise, however, the director here manages to improve on the film’s papery progenitor. While a succession of helmers have struggled to condense Rowling’s ever-expanding tomes into a digestible screen serving, Catherine Hardwicke hits top gear from the outset, rattling through the early exposition and never once allowing the painful teen brooding that floods Meyer’s book to overflow into insipidness. Meyer is a devout Mormon, her tale a metaphor for carnal abstinence, allowing young girls to splash around in a pool of obsessive love without having to swim in the turbulent waters of scary teenage sex.
The author, who had final cut, thought Hardwicke’s first cut a little too steamy, hence the interaction between Bella and Edward becomes even more intimate, Hardwicke employing close-ups and avoiding the exposed flesh captured by the wider lenses. The director, of course, understands the teen audience — consider Thirteen or Lords Of Dogtown — and she conjures one of the most beautiful films of the year. Former Potterer Robert Pattinson (Cedric in Goblet Of Fire and Order Of The Phoenix) is staggeringly handsome, as are the rest of his vampire brethren. The backdrop, meanwhile, the lush forests of the Pacific Northwest, is truly breathtaking, Hardwicke sending her stars hurtling up towering trees and sinking into deep moss.
The lead performance too is strong, Panic Room and Into The Wild star Kristen Stewart consistently excellent. She is the vehicle through which audiences are carried on their journey, and her keen intelligence prompts a mature performance. Bella is both vulnerable and strong, a three-time damsel in distress, requiring Edward’s white-faced knight to save her, and yet courageous enough to surrender to danger and send an immortal bloodsucker into a frenzy of desire. Said bloodsucker Pattinson struggles at times — it’s a demanding first lead role, requiring him to project a perennial restrained desire. He settles down eventually, but not before he’s treated us to a series of hard-faced pouts.
Despite the presence of vampires, Twilight is a romance, not a horror, and anyone hoping to sink their teeth into a juicy gore-fest will be disappointed. There is action, of course, ignited by the arrival of a trio of wandering neck-biters (who, needless to say, are impossibly good-looking) that feed on the locals and lust after Bella’s blood, leading to a showdown in a be-mirrored ballet studio. Hardwicke sensibly introduces these rogues early. And yet, while she does have action credentials (working on Three Kings before shooting Dogtown), the sequences are occasionally predictable, the wire-work sometimes obvious.
She also struggles with the depiction of vampires in direct sunlight. Meyer’s saga was prompted by a dream, in which she saw Bella and Edward lying in the forest, sunlight twinkling on the vampire’s exposed flesh. In truth, Hardwicke would have liked to exorcise the scene, but it’s too important to the author. She turned to ILM, although despite their best efforts, Edward’s spangled skin looks a little odd.
Verdict
A sometimes girlie swirl of obsession that will delight fans, this faithful adaptation is after teenage blood, and will most likely hit a box office artery.
News have spread and the Twilight's director, is releasing a book called the "Director's Notebook" which includes the "How we made Twilight" of wardrobe, cast, behind-the-scenes-photos and more. The novel is expected to be on the shelves with the Twilight movie on March 17, 2009.
Something fun to do?
Check out the forums for the Bella Bash info contest!
Info from:
link
Cover Picture (bigger here): link
Something fun to do?
Check out the forums for the Bella Bash info contest!
Info from:
link
Cover Picture (bigger here): link
"It shocked me.I was not sure if she meant to attack.That's the only interpretation of her behavior that my past had to offer.But she was smiling.And the emotions that were emanating from her were like nothing I'd ever felt before.
"'You've kept me waiting a long time,'she said."
I didn't realize Alice had come to stand behind me again.
"And you ducked your head like a good Southern gentleman,and said,'I'm sorry ma'am.'"Alice laughed at the memory.
Jasper smiled down at her."You held out your hand,and I took it without stopping to make sense of what I was doing.For the first time in almost a century,I felt hope."
Jasper took Alice's hand as he spoke.
Alice grinned."I was just relieved.I thought you were never going to show up."
While visiting “The Ellen DeGeneres Show,” for an episode that airs this Friday — the same day Pattinson’s vampiric portrayal of Edward Cullen springs to life on the big screen, he denied having romantic ties to anyone.
“Now, are you single?” Ellen asked.
“Ah, yeah,” the British actor replied.
And it appears despite women throwing themselves at him regularly, Pattinson may be stuck in singleton mode permanently.
“No one else seems to get into a relationship with me. It’s really strange,” he told Ellen.
“People like screaming at me,” the heartthrob added. “Actually, they like screaming at me in relationships as well. No one wants to commit.”
Honestly, if you were Stephanie Meyer, and you were writing Breaking Dawn as we speak, how would you write it, (write what you really think will happen in the book) these things for example:
bella and edward get married
bella becomes a vampire
jacob comes back and splits bella and edward up forever, and he gets bella
fight between edward and jacob
jacob imprinting...
things like that
except in long details
lol
its ok to get creative but keep to what you think will really happen. not what you hope but what you think
i wonder how many people will say the same thing
i wonder what you think.....
bella and edward get married
bella becomes a vampire
jacob comes back and splits bella and edward up forever, and he gets bella
fight between edward and jacob
jacob imprinting...
things like that
except in long details
lol
its ok to get creative but keep to what you think will really happen. not what you hope but what you think
i wonder how many people will say the same thing
i wonder what you think.....