This guide was inspired by a question recently posted by link on this spot. The user was looking for ways to put a twist on fairytales. I began to write an answer, but my answer soon developed into an article. So here it is.
Note that these aren't specifically for fairytales; they can be used on any old, well-known stories. After listing some ideas on how you can put a twist on such stories, I'll give a few examples of movies that have done used one or more of these ideas.
1. Swap the genders of the traditional characters.
Do any of the characters behave especially "typical" for their gender? Do they follow any stereotypes that would be made more interesting and surprising if they were the opposite sex? This option allows you to put all those cliché gender roles to a more original use.
2. Set it in a different time period.
A popular way to parody stories that are hundreds of years old is to set the new version in the modern day. This is sometimes done so that the audience can relate to the characters easily, but it also pushes the writer to think carefully about their new setting. What would and wouldn't work in the modern day, compared to the original story's setting? Another option is to set the story merely in another past time period, or, if you're feeling extra imaginative, set your story in the distant future!
3. Set it in a different location.
This one is very similar to the above suggestion; once again, a change of setting might cause you to change certain parts of the story. Note that this is a risky one. You might not want to do this if the story's nationality is especially important to the plot or message, otherwise this could come across as racist. However, on the flip side, if a story's location does not matter, you could change its setting to wherever you live and throw in some accurate cultural representation!
4. Focus on someone other than the original protagonist.
In other words, make a different character the new protagonist! Tell the story from a support character's perspective, or put the villain in the spotlight. This is a very simple yet very popular idea. If you are fond of a minor character in a fairytale, why not try writing in first person from their perspective? It can be very interesting and very fun!
5. Change an event or two from the original story, just because you can.
Some fairytales are actually pretty gruesome, and so a lot of adaptations decide to go with a more child-friendly ending. Other stories, however, hardly stay true to the original tale at all and the writer only uses the original as a basis. Think about how true you want to stay to the traditional version; do you want to just put your own spin on things here and there, or do you want to base just a portion of your own version on the original, and otherwise write something new?
Examples of movies that have used one or more of these techniques:
Nickelodeon's Rags (2012 movie): A parody of Cinderella that combines #1 and #2 (and somewhat #3 in that it is set in America).
Baz Luhrmann's Romeo + Juliet (1996): Uses #2 and still manages to stick to the original script (for the most part).
Disney's Maleficent (2014 movie): A re-imagining of Sleeping Beauty that uses #4 and turns the villain into the main character.
Disney's The Lion King 1 & 2 (1994 & 1998): Shakespeare plays with African wild animals; the first being based on Hamlet and the second on Romeo & Juliet. Both movies make use of #3 and #5.
In fact, a lot of Disney classics put a twist on fairytales. Walt Disney had a rule that the company still follows; good must always triumph over evil. Some of the original stories that their movies are based on have surprisingly tragic endings, and so many Disney movies use technique #5 to ensure that they do what Walt Disney told them to a long time ago! A few of their classics also use #3 (e.g. Aladdin being set in Arabia instead of China).
(Of course, there are other movies that have done this, and you're welcome to list more in the comments, but I'd better not get carried away!)
Also, if you're interested in this sort of thing, I recommend Gregory Maguire as an author that you need to check out if you haven't already! He writes novels for adults that make great use of #4. He wrote the Wicked books, Confessions of an Ugly Stepsister, Mirror Mirror, and his most recent book, After Alice.
Gail Carson Levine's Ella Enchanted and Fairest are a couple of other book examples that reimagine famous fairytales.
Note that these aren't specifically for fairytales; they can be used on any old, well-known stories. After listing some ideas on how you can put a twist on such stories, I'll give a few examples of movies that have done used one or more of these ideas.
1. Swap the genders of the traditional characters.
Do any of the characters behave especially "typical" for their gender? Do they follow any stereotypes that would be made more interesting and surprising if they were the opposite sex? This option allows you to put all those cliché gender roles to a more original use.
2. Set it in a different time period.
A popular way to parody stories that are hundreds of years old is to set the new version in the modern day. This is sometimes done so that the audience can relate to the characters easily, but it also pushes the writer to think carefully about their new setting. What would and wouldn't work in the modern day, compared to the original story's setting? Another option is to set the story merely in another past time period, or, if you're feeling extra imaginative, set your story in the distant future!
3. Set it in a different location.
This one is very similar to the above suggestion; once again, a change of setting might cause you to change certain parts of the story. Note that this is a risky one. You might not want to do this if the story's nationality is especially important to the plot or message, otherwise this could come across as racist. However, on the flip side, if a story's location does not matter, you could change its setting to wherever you live and throw in some accurate cultural representation!
4. Focus on someone other than the original protagonist.
In other words, make a different character the new protagonist! Tell the story from a support character's perspective, or put the villain in the spotlight. This is a very simple yet very popular idea. If you are fond of a minor character in a fairytale, why not try writing in first person from their perspective? It can be very interesting and very fun!
5. Change an event or two from the original story, just because you can.
Some fairytales are actually pretty gruesome, and so a lot of adaptations decide to go with a more child-friendly ending. Other stories, however, hardly stay true to the original tale at all and the writer only uses the original as a basis. Think about how true you want to stay to the traditional version; do you want to just put your own spin on things here and there, or do you want to base just a portion of your own version on the original, and otherwise write something new?
Examples of movies that have used one or more of these techniques:
Nickelodeon's Rags (2012 movie): A parody of Cinderella that combines #1 and #2 (and somewhat #3 in that it is set in America).
Baz Luhrmann's Romeo + Juliet (1996): Uses #2 and still manages to stick to the original script (for the most part).
Disney's Maleficent (2014 movie): A re-imagining of Sleeping Beauty that uses #4 and turns the villain into the main character.
Disney's The Lion King 1 & 2 (1994 & 1998): Shakespeare plays with African wild animals; the first being based on Hamlet and the second on Romeo & Juliet. Both movies make use of #3 and #5.
In fact, a lot of Disney classics put a twist on fairytales. Walt Disney had a rule that the company still follows; good must always triumph over evil. Some of the original stories that their movies are based on have surprisingly tragic endings, and so many Disney movies use technique #5 to ensure that they do what Walt Disney told them to a long time ago! A few of their classics also use #3 (e.g. Aladdin being set in Arabia instead of China).
(Of course, there are other movies that have done this, and you're welcome to list more in the comments, but I'd better not get carried away!)
Also, if you're interested in this sort of thing, I recommend Gregory Maguire as an author that you need to check out if you haven't already! He writes novels for adults that make great use of #4. He wrote the Wicked books, Confessions of an Ugly Stepsister, Mirror Mirror, and his most recent book, After Alice.
Gail Carson Levine's Ella Enchanted and Fairest are a couple of other book examples that reimagine famous fairytales.
Always running
All the time,
Chasing a dream
As I follow the signs.
Out of breath
I miss a turn,
I wander the paths
Ready to learn.
I start to get impatient
I'm working so hard,
So how come I'm not there yet
I've played all my cards.
Life is like a rollercoaster
Mine never stops,
It takes me round in circles
Back to the start.
There are so many highs and lows
Yet they''re all the same,
I need a change of track
Something different to my name.
Each step I take aches my body
And I'm waiting for the day,
That a different train will come along
And take me a different way.
All the time,
Chasing a dream
As I follow the signs.
Out of breath
I miss a turn,
I wander the paths
Ready to learn.
I start to get impatient
I'm working so hard,
So how come I'm not there yet
I've played all my cards.
Life is like a rollercoaster
Mine never stops,
It takes me round in circles
Back to the start.
There are so many highs and lows
Yet they''re all the same,
I need a change of track
Something different to my name.
Each step I take aches my body
And I'm waiting for the day,
That a different train will come along
And take me a different way.
Dusty Streets
A blazing sun,
Food and Water
There is none.
Living on hope
Crying out,
Helping others
Around and about.
Children Shouting
They wail and cry,
Willing for a change
A signal, a sign.
They're grateful for everytihng
Whatever comes their way,
They're constantly working
All night, all day.
The air is filthy
They cough and they weep,
They want to survive
They sniffle and sleep.
Begging off strangers
It's all they can do,
Someone to help them
It could be you.
-Emily Eaton (13)
A blazing sun,
Food and Water
There is none.
Living on hope
Crying out,
Helping others
Around and about.
Children Shouting
They wail and cry,
Willing for a change
A signal, a sign.
They're grateful for everytihng
Whatever comes their way,
They're constantly working
All night, all day.
The air is filthy
They cough and they weep,
They want to survive
They sniffle and sleep.
Begging off strangers
It's all they can do,
Someone to help them
It could be you.
-Emily Eaton (13)
I have a secret: I'm afraid. I'm terribly afraid that I AM GOING TO DIE. I didn't ask for leukemia. Nor did I expect it. Especially not chronic myelogenous leukemia. Especially when chronic myelogenous leukemia tends to affect the OLDER males, and I'm only what, 14?
But do you know why it has to be a secret? I have a family: my dad and Jae, my youngest sister. [Yeah, I have two more, but, they're out of my life at the moment.] They cried their hearts out once I was diagnosed. They were afraid that they'd lose another family member--after all, my mother passed away after a car accident. I promised to be strong. For Dad. For Jae. For Mom.
But if being strong means that I have to hold back all these tears, that I have to surpress all my fear in order to comfort my family, sometimes I wish I didn't make that promise.
But do you know why it has to be a secret? I have a family: my dad and Jae, my youngest sister. [Yeah, I have two more, but, they're out of my life at the moment.] They cried their hearts out once I was diagnosed. They were afraid that they'd lose another family member--after all, my mother passed away after a car accident. I promised to be strong. For Dad. For Jae. For Mom.
But if being strong means that I have to hold back all these tears, that I have to surpress all my fear in order to comfort my family, sometimes I wish I didn't make that promise.
I was in the class the other day, and Mrs.Crosswaer was handing out new assignments. And he stared at me! Oh his name is Sam, and he was staring at me dreamly!!!!!!!!!!!
It was sooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo cooooooooooooooool!
I am SO SORRY! It had to be lonfer so yeah!
It was sooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo cooooooooooooooool!
I am SO SORRY! It had to be lonfer so yeah!
*********************
One lonely sunday afternoon
I sit in my chamber and have nothing to do
My love is far away
I wonder if (s)he's already forgotten me
So I sadly watch the sky
See the raindrops passing by
One looonely sunday afternooon...
One looonely sunday afternoon
One lonely sunday afternoon
I'm even as my flowers still out of bloom
I find some old photos, covered with dust
I cannot forget you although I know that I must
So I sadly let them fly
And this time I have to cry
One looonely sunday afternooon...
One looonely sunday afternoon
**********************
you seek for spark of hope.
Your life held by
darkness thoughts,
anchor is
some place else.
Bad luck follows you
like a hook,
won't let you go,
won't leave you alone.
You smile today,
and cry whole eternity,
like that's your fate,
disturbing thoughts
to lie inside of you,
to take away everything
that you hope for.
Devil is calling your name,
leaves you not,
you don't see the angel on
your shoulder,
trying to give you a strength.
You long for life
that you don't know of,
you seek for peace,
trying to get away
from misty forest
that stains your heart
into black.